If you want to see a movie that does not further the Terminator storyline but blows up a lot of crap, Terminator Salvation is for you! (With that criteria, though, you may as well go see Transformers: Rise of the Fallen. Or rent Armageddon. You see where I'm going with this.) I mean, I'm glad I saw it because otherwise I'd always wonder and blah blah blah but once was enough. Even with Christian. The movie could have been a standalone story! You honestly don't need to have seen any of the other Terminators to watch TS. Truly. In fact, it might be better if you haven't seen any of the earlier movies... Maybe then the gigantic plot holes would not be quite so noticeable. Hmph.
I always love to read message boards after seeing movies like TS, just to see if others have the same questions I do. Robert, Wade, Mel and I had oodles of questions after the movie and I'm happy to report that just about every other viewer had the exact same questions and issues. Chief among them:
- Why was Kyle #1 on the Skynet 'kill' list? Did Skynet know Kyle was John's father? How? Or were they just after him because they knew he was who was sent back to protect Sarah and ultimately defeat the first Terminator? (Message board consensus: Big plot hole that needed explaining. No one really knows.)
- If Skynet wanted to kill Kyle because they knew he was John's father, why bother killing John at all? Why not just kill Kyle immediately? Why waste time putting him in a holding cell to draw John out so you can kill them both? (This, I've learned, depends on which time travel view you subscribe to. Killing Kyle would either have cause John to just, like, evaporate in the movie's present and, in that case, killing him immediately would've been the best bet. However, most people think killing Kyle wouldn't have killed movie present-day John. It would have made him have a different father, though, and so would somehow not be as good a leader. Or something. Which doesn't really make sense to me because John had already learned everything he needed to know... but whatever.)
- Why have the Arnold Terminator in the movie at all? Yes, I know it was a kitschy shout-out to the earlier movies but in this movie it served no purpose whatsoever. The Terminator that tried to kill John didn't need to be a 'human' one. It just needed to be one that wanted him dead! And on a similar note...
- Why did the Terminator waste so much time throwing John around? Why not just pop his head off in the first 30 seconds and be done with it? Terminators don't need to put up a fight! They just need to knock your block off!! (Message board consensus: Sloppy writing.)
- Robert's biggest beef was with the special effects. "All the fire was so fake! Gah!" And, sure enough, there are several threads ragging on the CGI fire in the film.
- My biggest beef? Oh, where do I begin. First, I hated that Sam Worthington's Australian accent came and went with the wind. Shouldn't the director watch out for continuity crap like that? Annoying. I love me an Australian accent... but not when the dude is half-American, half-machine. C'mon now. Then, I hated the cheesy ass dialogue. "Oh, your heartbeat is so strong. That's the best sound in the world. Now give me some body heat." Really? Really. Re. Tar. Ded. Then, there was the road issue. When Marcus first wanders out into the world, he has to dig through a pile of rubble to find the road. Of course, throughout the rest of the movie when high-speed chases were involved, there was clean road for days!! The apocalypse was apparently very selective in what it obliterated. The goofiest thing of all, though, may have been the whole heart transplant storyline. Who couldn't see THAT coming a mile away?! Good grief. Plus, his wife must be a kick-ass surgeon to perform such an intricate surgery in the middle of a barren, war-torn wasteland. Whoo! Reminded me a little of M*A*S*H. ;o) Plus, John Connor would have to be on anti-rejection meds the rest of his life. How easy are those to procure for the Resistance?! And people with heart transplants generally don't live terribly long; I can only assume that condition is exacerbated by receiving a heart that was previously dead and shocked back to life with live wires. John Connor is in some deep doo-doo.
To add insult to injury, I read this on EW.com this morning:
SPOILER ALERT: Do not read any further if you don't want to know plot details of Terminator Salvation. Seriously! You've been warned!Wouldn't that have been lovely? Holy bejesus. What kind of stupid sh*t would that have been?!! You know, I read in an article that James Cameron didn't pooh-pooh McG's TS - but he didn't give him his blessing, either. Why? Because Cameron felt he'd told the story with the first 2 movies and that was that. Seeing as both films since then have basically just spun their wheels without advancing the story, I think I agree with him.Two weeks before Terminator Salvation hit theaters, the film's director, McG, sat in his L.A. production office for an interview with EW. He was talking about the swirl of rumors and gossip surrounding the film -- about how bloggers had posted all kinds of far-fetched speculation during production and how it drove him nuts.
And then, out of nowhere, McG smiles and says, "Here's something I've never talked about before...".
Now, before we go any further, there's some backstory about the movie's plot you'll need to know if you haven't already seen it. Terminator Salvation is set in the year 2018 -- after the apocalyptic Judgment Day, which was prophesied in the earlier films. There are three main characters in the story: John Connor (Christian Bale), the son of Sarah Connor who will lead the resistance against the evil Skynet; Kyle Reese (Anton Yelchin), the young resistance fighter who will grow up and eventually travel back in time (as seen in the 1984 original when Reese was played by Michael Biehn) to impregnate Sarah Connor with the young savior, John Connor; and Marcus Wright, a mysterious dude who's half human, half machine programmed by Skynet (the fact that he's unaware of this makes for some of the most poignant scenes in the film).
Okay, now back to McG's big, juicy secret. A secret, by the way, that Bale will back up as you read on.
"There was talk on the Internet about an alternate ending where Connor dies and they take Connor's likeness and put it on top of Marcus Wright's machine body. So that it's actually a machine that's leading the resistance! And the Internet caught wind of that and people went, 'That's bulls---! We don't want that!'"
McG grins. "Well, that's not really what the ending was."
Actually, the bloggers were on the right track. Except, McG adds, the original ending actually went even further.
"Connor dies, okay? He's dead," McG continues. "And Marcus offers his physical body, so Connor's exterior is put on top of his machine body. It looks like Connor, but it's really Marcus underneath. And all of the characters we care about (Kyle Reese, Connor's wife Kate, etc.) are brought into the room to see him and they think it's Connor. And Connor gets up and then there's a small flicker of red in his eyes and he shoots Kate, he shoots Kyle, he shoots everybody in the room. Fade to black. End of movie. Skynet wins. F--- you!"
F--- you, indeed.
We tell the director that this would be the darkest, bleakest summer blockbuster ending of all time. He agrees.
"It's the most nihilistic thing of all time. And Christian went f---ing crazy, of course. He was insistent that it be done that way! He wanted the bad guys to win! Can you imagine the oxygen going out of the theater?! What just happened! It would piss you off! But maybe two years from now, you'd think it was ballsy. But in the end, it just felt like too much of a bummer."
He pauses, thinking about the alternate ending that wasn't. "Maybe we blew it."
McG says the studio had signed off on this original dark-as-night ending. But something about it didn't smell right to him in the end. How could a movie with a reported budget of $200 million and a possible future of sequels possibly end that way?
EW sits down with Bale the next day and tells the star how McG let the cat out of the bag. Bale laughs. "There's not much McG can keep in, is there?"
Was he really, as McG says, gung-ho to shoot that everyone-dies ending?
"I'm not the director," says Bale. "There came to be a different option that almost everyone, except myself, felt was the better way to go. I took a bit of convincing, but you know, at the end of the day, you need a director to make that call."
But doesn't he think that his Salvation would have been a depressing bummer, not to mention suicide at the box office?
"Done the way I saw it? No. But am I disappointed with this one? No."
























